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- Allen And Heath Ar2412 User Manual Free
- Allen And Heath Ar2412 User Manual 2017
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- Allen And Heath Ar84
- Allen And Heath Ar2412 User Manual Download
GLD User Guide
15
AP8561 iss.4
Get Allen&Heath GLD-80 User Manual. Get all Allen&Heath manuals! GLD-AR2412 Main AudioRack Input sockets 24 balanced XLR inputs for microphone and line level.
GLD-AR2412 Main AudioRack
Input sockets 24 balanced XLR inputs for
microphone and line level sources. The preamps
are built into the AR2412 rack and their Gain,
Pad and 48V phantom power is remote controlled
from the GLD mixer via the dSNAKE link. The
output of the analogue preamps are converted to
digital format and transported via dSNAKE to be
processed and mixed at the GLD mixer.
The sockets are numbered 1-24. Any input can
be patched to any channel using the
I/O
or
Preamp
screens. The default is one-to-one
mapping of the input sockets 1-24 to channels 1-
24.
Output sockets 12 balanced XLR outputs
operating at nominal +4dBu line level. Any GLD
signal can be patched to any socket using the
console
I/O
screen. The default Template Shows
provide a logical mapping of these sockets to get
you started.
EXPANDER port CAT5 cable link to
connect a GLD-AR84 expander rack to add a
further 8 mic/line inputs and 4 XLR line outputs.
The GLD system numbers these sockets as
Inputs 25-32 and Outputs 13-16. This port can
also be used to connect to the Allen & Heath ME
personal mixing system.
MONITOR port CAT5 cable link to connect
to the ME personal mixing system. It is also
compatible with Aviom
®
A-Net 16 when Aviom
mode is selected in the
I/O / Monitor
screen.
dSNAKE port CAT5 cable link to connect
the AR2412 rack to the GLD mixer. This carries
the 32 inputs, 16 outputs and the monitor port
sends audio to and from the rack as well as
control for the preamps and system status.
Allen And Heath Ar2412 User Manual Free
Maximum CAT5 cable length is 120m (396’)
depending on cable type.
Note that dSNAKE is not compatible with the
iLive ACE connection.
Fan A low noise fan ensures air movement
through the rack to keep the circuits within
operating temperature range.
Allen And Heath Ar2412 User Manual 2017
Ensure good ventilation at the back of the
rack. Read the safety instructions printed on the
panel and the Safety Sheet packed with the unit.
Mains power input IEC connector, fuse
and power ON/OFF push switch for the built-in
universal voltage power supply unit. This
accepts worldwide voltages from 100 to 240V AC
50/60Hz. Check that you have received the
correct mains lead for your territory.
Secure the cable in place using the plastic P-clip.
Use a T20 Torx screwdriver to refit the screw.
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This topic contains 16 replies, has 6 voices, and was last updated by 5 years, 6 months ago.
Frigidaire upright freezer manual. you can use any combination of local, D-Snake or USB inputs.
I have a Qu24 and an AR2412, but I don’t have a Qu16 so I can’t be positive of this next statement,…. but it may be possible that when you connect the AR2412 to your Qu16 you might have access to the three stereo returns as mic inputs with phantom power and a pad.
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When I connect the AR2412 to my Qu24, the three stereo returns are not available on the 2412 inputs, however, when I connect an AR84 to the “Expander” port on the AR2412, the three stereo returns ARE available and then a phantom power switch and pad appear on those channels on the touch screen. It is nice to be able to connect two condenser mics (in stereo) and two stereo keyboards to the three stereo returns, this technically makes the Qu24,…. a 30 input console with 24 mono inputs and three stereo inputs.
It just might be that A&H designed the Qu16 to route the three stereo returns as mic inputs on (17-18), (19-20) and (20-21).
That would be very nice.
I am going to look at the manual now to see if it mentions anything about this.
Dan@dave.
As dpdan said, you’re not forced to use all local or all stage, you can do a mixture of both. They’re not completely freely assignable though, in that the preamp#-channel# is fixed. Ch1 always has to be fed by preamp1, ch2 by preamp2, (whether preamp1 is in the back of the qu console or on the stage box is up to you.) What you can’t do is assign preamp1 to ch7, preamp2 to ch4, preamp12 to ch15&16, as you might if you wanted to run ch15 to monitors with certain processing and ch16 to FOH with different processing. To achieve this you’d need to use a y-split before the preamp, or a GLD/ilive.@dpdan, page 14 of the manual says qu16 uses the AR2412’s preamps 17-22 for st1-3.
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dpdan: Yes it is routed like you explained! The 3 Stereo Inputs can be assigned through dSnake on Inputs 17-22 at the AR2412!
easiest way to find out the correct filename is by recording a few seconds trough qu-drive, load them into your audio-software and change the tracks that you want! Safe then the new tracks (i remember that i did read about that you must have the same amount of tracks, even if no audio is included) on your Harddisk. Choose in the Preamp section of that specific channel “USB” as source – that should work!
It is possible to playback tracks from Qu-drive while recieve audio trough dSnake and/or local inputs! (One channel can just be assigned to one source… but that’s something you should already know!)
P35 of the manual shows the folder structure for stereo playback from qu-drive for your backing tracks. P36 goes on to the structure for multitrack playback.
A couple of things to be aware of: while you can mix input sources from local preamps, remote preamps and USB playback, you can only have one usb global source; all your usb sources have to be coming from qu-drive or all from a computer, you can’t have some usb sources from qu-drive and others from a computer st the same time. Another thing is that you can’t playback from qu-drive and record to qu-drive simultaneously. To get around this, you can playback from qu-drive and multitrack record to a computer, or vice versa.
Dear all,
I am wondering if AR2412 could also output AES back from the mixer to drive the power amplifier. So i would only need to run one CAT5 cable from FOH to the back stage.
Cheers,
the console does provide AES output but the AR2412 does not.
If you absolutely must have AES for your amp/s you will need to run it from the console.So let me hear from you all, how would you typical utilize the AR2412? Remote mixing analog input and return the analog output back to the main stage for power amplifier?
Cheers,
Yes
I guess if I wanted AES I’d run a second CAT5 & send it down that, but you can send it on almost any cable really. Some time ago, I seem to remember Canford Audio demonstrating AES down a bit of wet string!
Hi Ton,
I think I can speak for most people, the 2412 is usually located on or near the stage with the console in the audience.
I have my 2412 sitting right next to my power amps so the outputs are right there. I use two sub snakes connected to the 2412 for the left and right sides of the stage (depending on the job), and one of the sub snakes has XLR outputs connected to the 2412 outs,… this is really convenient for powered monitors eliminating the need to run cables all the way over to the 2412.At least that’s how I use it 🙂
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Just a shame, that we couldn’t utilize AES to stay all audio quality in digital domain.
Ami hand sewing machine user manual. you can, just run a single balanced XLR cable to your amp/s
Allen And Heath Ar2412 User Manual Download